VISUAL NARRATIVES OF THE COVID-19 PANDEMIC IN RIVERS STATE: A STUDY ON THE USE OF GROUNDNUT PEELS, SAWDUST, AND PIGMENTS IN PAINTING

Abstract

This study explores visual narratives of the COVID-19 pandemic in Rivers State, Nigeria, through mixed-media painting using groundnut peels, sawdust, and pigments. Given the high value placed on health in Rivers State, there is a need to document the pandemic experience and sensitize the public on its effects, preventive measures, and possible strategies to mitigate future outbreaks. The COVID-19 pandemic significantly disrupted businesses, social functions, and economic activities worldwide, including in Rivers State. In response, this study visually communicates the impact of the pandemic and promotes public awareness by analyzing paintings that depict preventive measures against the virus, targeting both urban and rural populations. Artists responded to the crisis through creative expression, using unconventional materials to document the pandemic’s socio-cultural and economic effects, employing a mixed-media technique to create textured paintings that go beyond conventional painting materials such as oil, acrylic, and gouache. By incorporating groundnut peels, sawdust, and pigments, the research seeks to innovate within the realm of contemporary art while enhancing the aesthetic and textural appeal of visual storytelling. The study is anchored on emphasizing the emotional and expressive potential of art in engaging public consciousness.  Findings reveal that the synergy of groundnut peels, sawdust, and pigments in painting effectively enhances textural depth and creates compelling visual narratives that documents the pandemic experience. The study concludes that COVID-19 remains a serious health threat, reinforcing the importance of preventive measures. It further recommends the exploration of unconventional art media for expanded artistic expression and knowledge production. Ultimately, this research contributes to the discourse on visual storytelling in public health awareness and broadens the scope of mixed-media experimentation in contemporary painting.